{"id":210842,"date":"2022-09-04T13:07:04","date_gmt":"2022-09-04T12:07:04","guid":{"rendered":"https:\/\/kulturista.se\/test\/?p=210842"},"modified":"2026-08-21T12:42:58","modified_gmt":"2026-08-21T10:42:58","slug":"grunewald-pa-waldemarsudde","status":"publish","type":"post","link":"https:\/\/kulturista.se\/test\/grunewald-pa-waldemarsudde\/","title":{"rendered":"Gr\u00fcnewald p\u00e5 Waldemarsudde"},"content":{"rendered":"<p class=\"PDq2pG_selectionAnchorContainer\" data-start=\"666\" data-end=\"898\">I helgen \u00f6ppnade Prins Eugens Waldemarsudde den stora utst\u00e4llningen <em data-start=\"734\" data-end=\"770\">Isaac Gr\u00fcnewald \u2013 konst och teater<\/em>. Och jag fr\u00e5gade mig om det verkligen \u00e4r relevant att visa \u00e4nnu en stor utst\u00e4llning om Gr\u00fcnewald. Har man inte redan sett allt?<\/p>\n<p data-start=\"900\" data-end=\"960\">Svaret \u00e4r ja, det \u00e4r relevant. Och nej, allt har inte setts Waldemarsudde har likt en detektivbyr\u00e5 lyckats leta fram flera verk och annat material som aldrig tidigare visats.<\/p>\n<p data-start=\"1078\" data-end=\"1380\">Ett exempel \u00e4r f\u00f6rstudien <em data-start=\"1104\" data-end=\"1119\">Land och stad<\/em>, som l\u00e4nge legat ihoprullad p\u00e5 Skissernas Museum i Lund. Gr\u00fcnewald t\u00e4nkte sig att verket skulle h\u00e4nga i trapphuset p\u00e5 Nationalmuseum, d\u00e4r Carl Larssons <em data-start=\"1272\" data-end=\"1287\">Midvinterblot<\/em> hade refuserats. Han p\u00e5b\u00f6rjade arbetet p\u00e5 eget initiativ, men verket kom aldrig att utf\u00f6ras.<\/p>\n<p data-start=\"1382\" data-end=\"1479\">Tanken \u00e4r b\u00e5de roande och hisnande att ett s\u00e5 modernt och f\u00e4rgsprakande verk skulle ha h\u00e4ngt d\u00e4r.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-210844\" src=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/landstad2.jpg\" alt=\"\" width=\"1334\" height=\"885\" srcset=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/landstad2.jpg 1334w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/landstad2-1280x849.jpg 1280w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/landstad2-980x650.jpg 980w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/landstad2-480x318.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1334px, 100vw\" \/><\/p>\n<p><em>Foto: Kulturista<\/em><\/p>\n<p class=\"PDq2pG_selectionAnchorContainer\" data-start=\"1501\" data-end=\"1604\">Ett annat verk \u00e4r <em data-start=\"1519\" data-end=\"1529\">Kosacken<\/em>, som nyligen sk\u00e4nkts till Nationalmuseum och l\u00e5nats ut till utst\u00e4llningen.<\/p>\n<p data-start=\"1606\" data-end=\"1787\">Det \u00e4r en m\u00e5lning som v\u00e4cker en hel del fr\u00e5gor. I vilket sammanhang gjordes den? Varf\u00f6r f\u00f6rs\u00f6ker kosacken sticka ut sina egna \u00f6gon? Och vad \u00e4r det med den n\u00e4stan absintgr\u00f6na f\u00e4rgen?<\/p>\n<p data-start=\"1789\" data-end=\"1874\">Ett fascinerande verk som i utst\u00e4llningen h\u00e4nger fint tillsammans med <em data-start=\"1859\" data-end=\"1873\">Fiolspelaren<\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-210851\" src=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/isaac1.jpg\" alt=\"\" width=\"1334\" height=\"885\" srcset=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/isaac1.jpg 1334w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/isaac1-1280x849.jpg 1280w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/isaac1-980x650.jpg 980w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/isaac1-480x318.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1334px, 100vw\" \/><\/p>\n<p><em>Foto: v\u00e4nster Anna Danielsson, Nationalmuseum. H\u00f6ger: J\u00f6nk\u00f6pings l\u00e4ns museum<\/em><\/p>\n<p class=\"PDq2pG_selectionAnchorContainer\" data-start=\"1957\" data-end=\"2126\">Jag tycker ocks\u00e5 mycket om utst\u00e4llningens f\u00f6rsta rum, som \u00e4gnas \u00e5t bilden av Gr\u00fcnewald. P\u00e5 ena sidan m\u00f6ter vi hans sj\u00e4lvportr\u00e4tt, p\u00e5 den andra v\u00e4nners portr\u00e4tt av honom.<\/p>\n<p data-start=\"2128\" data-end=\"2255\">Det \u00e4r ett roligt grepp. H\u00e4r blir det tydligt hur b\u00e5de hans konstn\u00e4rskap och kanske ocks\u00e5 hans sj\u00e4lvbild f\u00f6r\u00e4ndrades med tiden.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-210860\" src=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/portratt.jpg\" alt=\"\" width=\"1334\" height=\"885\" srcset=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/portratt.jpg 1334w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/portratt-1280x849.jpg 1280w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/portratt-980x650.jpg 980w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/portratt-480x318.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1334px, 100vw\" \/><\/p>\n<p><em>Foto: Kulturista<\/em><\/p>\n<p>H\u00e4r portr\u00e4tteras Gr\u00fcnewald, l\u00e4ngst till h\u00f6ger, tillsammans med Leander Engstr\u00f6m, Einar Jolin, Otte Sk\u00f6ld och Nils von Dardel av konstn\u00e4rsv\u00e4nnen Arvid Fougstedt.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-210867\" src=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/vanner.jpg\" alt=\"\" width=\"1334\" height=\"885\" srcset=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/vanner.jpg 1334w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/vanner-1280x849.jpg 1280w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/vanner-980x650.jpg 980w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/vanner-480x318.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1334px, 100vw\" \/><\/p>\n<h2 class=\"PDq2pG_selectionAnchorContainer\" data-section-id=\"surv3w\" data-start=\"2439\" data-end=\"2461\">GR\u00dcNEWALD P\u00c5 SCENEN<\/h2>\n<p data-start=\"2463\" data-end=\"2675\">I utst\u00e4llningen f\u00e5r vi ocks\u00e5 bekanta oss med scenografen Gr\u00fcnewald. Han arbetade med scenografi f\u00f6r bland annat Kungliga Operan och skapade \u00e4ven kostymer. Dessutom samarbetade han med Gustavsbergs porslinsfabrik.<\/p>\n<p data-start=\"2677\" data-end=\"2900\">Och utan att avsl\u00f6ja f\u00f6r mycket inf\u00f6r ett eventuellt bes\u00f6k finns h\u00e4r ytterligare en konstskatt som Waldemarsudde har plockat fram: det makal\u00f6sa festspelet <em data-start=\"2832\" data-end=\"2854\">Stj\u00e4rnan i triangeln<\/em>, som visades p\u00e5 Stockholmsutst\u00e4llningen 1930.<\/p>\n<p data-start=\"2902\" data-end=\"3118\">I det multikonstn\u00e4rliga verket ingick en serie med 47 fotografiska bilder som projicerades p\u00e5 en enorm duk, 15 g\u00e5nger 14 meter. Materialet har digitaliserats av Prins Eugens Waldemarsudde och presenteras nu som film.<\/p>\n<p data-start=\"3120\" data-end=\"3310\">Men den som framf\u00f6r allt l\u00e4ngtar efter de klassiska och v\u00e4lk\u00e4nda verken av Gr\u00fcnewald g\u00e5r inte heller lottl\u00f6s. H\u00e4r visas bland m\u00e5nga andra <em data-start=\"3258\" data-end=\"3273\">Dansande tr\u00e4d<\/em> och portr\u00e4ttet <em data-start=\"3289\" data-end=\"3309\">Nina i gul sweater<\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-210869\" src=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/nina.jpg\" alt=\"\" width=\"1334\" height=\"885\" srcset=\"https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/nina.jpg 1334w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/nina-1280x849.jpg 1280w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/nina-980x650.jpg 980w, https:\/\/kulturista.se\/test\/wp-content\/uploads\/2022\/09\/nina-480x318.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1334px, 100vw\" \/><\/p>\n<p><em>Foto: Norrk\u00f6pings konstmuseum<\/em><\/p>\n<p>Utst\u00e4llningen p\u00e5g\u00e5r till 12\/2 2023<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I helgen \u00f6ppnade Prins Eugens Waldemarsudde den stora utst\u00e4llningen Isaac Gr\u00fcnewald \u2013 konst och teater. Och jag fr\u00e5gade mig om det verkligen \u00e4r relevant att visa \u00e4nnu en stor utst\u00e4llning om Gr\u00fcnewald. Har man inte redan sett allt? Svaret \u00e4r ja, det \u00e4r relevant. Och nej, allt har inte setts Waldemarsudde har likt en detektivbyr\u00e5 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[19],"tags":[],"class_list":["post-210842","post","type-post","status-publish","format-standard","hentry","category-museer-utstallningar"],"acf":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/posts\/210842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/comments?post=210842"}],"version-history":[{"count":30,"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/posts\/210842\/revisions"}],"predecessor-version":[{"id":213366,"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/posts\/210842\/revisions\/213366"}],"wp:attachment":[{"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/media?parent=210842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/categories?post=210842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturista.se\/test\/wp-json\/wp\/v2\/tags?post=210842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}